King Curtis - Have Tenor Sax Will Blow
Table of Contents
Download
Filename: king-curtis-have-tenor-sax-will-blow.rar- MP3 size: 102 mb
- FLAC size: 822 mb
Tracks
Track | Duration | Preview |
---|---|---|
The Shake | 2:43 | |
Peter | ||
Birth Of The Blues | ||
Little Brothers | 03:15 | |
Chili | 2:9 | |
Lil Brother | 4:54 | |
Jay Walk | 4:17 | |
Midnight Ramble | 2:32 | |
Jaywalk | ||
Cuban Twilight | 2:51 | |
The Groove | 3:12 | |
Linda | 3:15 | |
Snake Eyes | 3:1 | |
Peter Gunn | 2:56 | |
Birth of the Blues | 2:34 |
Video
King Curtis - Linda
King Curtis - Jay Walk
Images
Catalog Numbers
- HS-4080
- 33-113
- SD 33-113, 33-113
- 45-RE-K 1307
- SD 33-113
- WPCR-27672
Labels
- Hua Sun Records
- ATCO Records
- London Records, London American Recordings, London Atlantic
Listen online
- online luisteren
- escuchar en línea
- ascolta in linea
- kuunnella verkossa
- lyssna på nätet
- online anhören
- lytte på nettet
- écouter en ligne
- ouvir online
Formats
- Vinyl
- LP
- Album
- Stereo
- Unofficial Release
- Orange
- Mono
- Reissue
- 7"
- EP
- CD
- Limited Edition
- Remastered
Companies
Role | Company |
---|---|
Record Company | Atlantic Recording Corporation |
Published By | Progressive |
Manufactured By | Atlantic Recording Corporation |
Pressed By | Presswell |
Mastered At | Atlantic Studios |
Distributed By | Warner Music Japan Inc. |
Phonographic Copyright (p) | WEA International Inc. |
Copyright (c) | WEA International Inc. |
Credits
Role | Credit |
---|---|
Bass | Jimmy Lewis (tracks: A1 to B4) |
Design | Marvin Israel |
Drums | Belton Evans (tracks: A1 to B4) |
Engineer | Bill Schwartau, Tom Dowd |
Guitar | Al Casey (tracks: A1 to B4), Joe Puma (tracks: A2, A5, B1, B4), Jimmy Spruill (tracks: A1, A3, A4, B2, B3) |
Liner Notes | Joe Muranyi |
Photography By | Elbert Budin |
Piano | Herman Foster (tracks: A1 to B4) |
Producer | Nesuhi Ertegun |
Soloist | King Curtis (tracks: A1, A3, A4, B2, B3) |
Tenor Saxophone | King Curtis, Noble Watts (tracks: A1, A3, A4, B2, B3) |
Written-By | Curtis Ousley (tracks: A1, A3 to A5, B2, B3, B6) |
Accompanied By | Unknown Artist (tracks: B5, B6) |
Supervised By | Nesuhi Ertegun |
Artwork By | Marvin Israel |
Saxophone | King Curtis, Noble Watts (tracks: 1, 3, 4, 6, 7) |
Notes
- Taiwan pressing, no track times given, Some spelling erros copied from labels, See scans.
- US reissue with a later ATCO label design (introduced 1968)
- Printed in U.S.A.
- Mfg by Atlantic Recording Corp., 1841 Broadway, New York, N.Y.
- Publishing:
- A1, A3 to A5, B2, B3, B6 - Progressive, BMI
- A2 - Warock, ASCAP
- B1 - Northridge, ASCAP
- B4 - (none) BMI
- B5 - Harms Inc., ASCAP
- Has ATCO harp LOGO on label.
- Budget Reissue Series
- Made in Japan
- ℗ 2013 © 1959
Barcodes
- Matrix / Runout (A): HS4080-A, SFC-C-9171
- Matrix / Runout (B): HS4080-B, AVCO, ST-C-59172
- Rights Society (A1, A3 to A5, B2 to B4, B6): BMI
- Rights Society (A2, B1, B5): ASCAP
- Matrix / Runout (A-Side Label): 11607
- Matrix / Runout (B-Side Label): 11608
- Matrix / Runout (A-Side Runout Etching): C 11607 AT
- Matrix / Runout (B-Side Runout Etching): C 11608 AT
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Label side A): ST-A-59171 PR
- Matrix / Runout (Label side B): ST-A-59172 PR
- Matrix / Runout (Runout side A): AVCO ST-C-59171
- Matrix / Runout (Runout side B): AVCO ST-C-59172
- Matrix / Runout (A-Side Label): C-11607
- Matrix / Runout (B-Side Label): C-11608
- Matrix / Runout (A-Side Label): AVCO ST-C-59171
- Matrix / Runout (B-Side Label): AVCO ST-C-59172
- Barcode (Text): 4 943674 137657
- Barcode (Scanned): 4943674137657
- Rights Society: JASRAC
About King Curtis
NOTE: For the songwriter sometimes credited as Memphis Curtis, see .
American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer.
Born: February 7, 1934 in Fort Worth, Texas
Died: August 13, 1971 in New York, New York (Murdered by junkies)
Successful both as a solo artist -best known for his 1967 hit Memphis Soul Stew- as well as a session musician and producer. Curtis mainly played and composed rhythm and blues or soul but also some Rock and roll and great bop or soul jazz. He was inducted into the Rock & Roll Hall of Fame in 2000.
From raresoul.com:
"More than 2,000 people attended King Curtis funeral at St. Peters Lutheran Church in Midtown Manhattan.
A number of important figures attended the services, including , her father , , , and , who delivered the eulogy.
King Curtis is still by far, the most influential saxophone player in the history of R&B and Rock & Roll music.
King Curtis played on thousands of records as the most in demand saxophone player, from the early 1950s until his death in August of 1971.
He worked with a wide variety of artists ranging from and , to and .
King Curtis began playing the saxophone at a young age in Fort Worth, Texas. He turned down a scholarship to pursue an opportunity as a member of s touring band.
In 1952, King Curtis moved to New York to become one of the most in-demand session players, where his famous style of playing can be heard on classic songs like Yakety Yak by , Twistin the Night Away by , Tossin and Turnin By and numerous others.
In 1961, King Curtis released his own hit record with titled Soul Twist, which landed at #1 for two weeks in April of 1962.
In 1965, he supported The Beatles at Shea Stadium (including a number backing Brenda Holloway), signed with Atlantic Records Atco imprint and in 1967, King Curtis hit big with the singles Memphis Soul Stew and Ode To Billie Joe, while also leading s backing band, .
Just months before King Curtis was stabbed, he was featured as a guest on s landmark album Imagine."
Real Name
- Curtis Ousley
Name Vars
- \
- Ousley
- B. Curtis
- C.King
- Curtis
- Curtis Lewis
- K. Curtis
- K. Cutis
- K. Kērtiss
- King
- King Chrtis
- King Curtis And His Tenor Sax
- King Curtis Ousley
- King Curtis The King Of The Twisters
- King Curtiss
- Kurtis
- R. Curtis
- К. Кертис
- ó°û«üÆ£¹
Aliases
- Curtis Ousley
Comments
AAHHHH
Sweet!
...trepa por la escalera....
Tenorist speaks his Blues with swinging masculinity and sweet soul aggression.
King Curtis uses swift, sharp staccato tonguings with serpent-like quickness, as well as with clarity.
Arnett Cobb did the same thing on tenor saxophone too.
Thanks for the post!
King Curtis uses swift, sharp staccato tonguings with serpent-like quickness, as well as with clarity.
Arnett Cobb did the same thing on tenor saxophone too.
Thanks for the post!
Related albums
1997
2004
2005
2013
2012
2006
1979
1969
2003
2007
2019
1960
2012
1963
1948
2013
1980
1997