Various - Credo 1000 Years Of Sacred Music

michaeljamesswan

Review by Michael Swan

The album Credo 1000 Years Of Sacred Music by Various is a magnificent collection of sacred music spanning a millennium. The compilation features a diverse range of compositions from different time periods and regions, including Gregorian chants, medieval polyphony, and contemporary works.

Listeners will be captivated by the haunting melodies and harmonies that transport them to a world of spiritual transcendence. The vocal performances are outstanding, with each piece showcasing the impeccable skill and artistry of the performers.

The album's production is top-notch, with each piece expertly recorded and mixed to bring out the nuances of the music. The sound quality is clear and crisp, allowing listeners to fully appreciate the intricacies of each composition.

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Artist: Various
Album: Credo 1000 Years Of Sacred Music

Table of Contents

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Tracks

TrackDurationPreview
Their Sound Is Gone Out
Gloria: Quoniam Tu Solus Sanctus (Vivace È Ritmico)
Vidit Suum Dulcem Natum
Nos autem gloriari oportet, for Easter03:07
Nos Autem Gloriari Oportet
Ach, Mein Sinn
Quod Sum Miser
How Beautiful Are The Feet
Und Hannas Sandte Ihn Gebunden
Iesu, Quadragenariae Dicator Abstinentiae02:29
Laudate Dominum In A Major K321
There Were Shepherds
Veruju
Festival Te Deum Op. 21
Lacrimosa Dies Illa
Organ Solo
Worthy Is The Lamb
Rejoice In The Lamb Op. 30
Hostias Et Preces
Litanies À La Vierge Noire
Behold, And See
His Yoke Is Easy
Agnus Dei
Edvart Grieg: Ave Maris Stella
Ecce Lignum02:21
Gabriel Faure: Cantique De Jean Racine
Glory To God
Christus Factus Est
Die Jüden Aber, Dieweil Es Der Rüsttag War
Fac Ut Ardeat Cor Meum
Domine Jesu Christe
Emendemus In Melius
Rejoice Greatly
Sancta Mater, Istud Agas
Und von Stund An Nahm Sie Der Jünger
Sanctus Benedictus
O Große Lieb
Petrus, Der Nicht Denkt Zurück
Quid Sum Miser
Die Schar Aber Und Der Öberhaptmann
Bless The Lord, O My Soul
Graduale
Behold The Lamb Of God
In Thy Kingdom
Gloria: Domine Deus, Rex Caelestis (Andante)
The People That Walked
Comfort Ye My People
Gloria
Unto Which Of The Angels
Herr, Unser Herrscher
Betrachte, Meine Seele
Mein Teurer Heiland, Lass Dich Fragen
Edward Elgar: Ave Verum
Christus, Der Uns Selig Macht
Gloria: Gloria In Exelsis Deo (Allegro Vivace)
Exsultet Iam Angelica Turba Caelorum
Wolfgang Amadeus Mozart: Ave Verum
Audi, benigne Conditor, hymn, Mode 202:23
Chichester Psalms: Psalm 2. Vv. 1 - 4; Psalm 23, Vv. 1 - 6 (Andante Con Moto, Ma Tranquillo)
Lux Acterna
Attende Domine
Emendemus in Melius03:04
Benedictus
Gospodi Pomiluj
Exultate Deo
Und die Kriegsknechte flochten ein Krone
Salve, Feste Dies
Pastoral Symphony
O Thou That Tellest
Rejoice, Virgin Mother Of God
Exsultet iam angelica turba caelorum10:04
Salve festa dies, hymn in mode 402:40
Oh Mensch, Bewien Dein Sunde Gross
Stabat Mater Dolorosa
Praise Ye The Lord
Wer Hat Dich So Geschlagen
Deliver O God Thy People
In Meines Herzens Grunde
Dies Irae
Er Nahm Alles Wohl In Acht
Allda Kreuzigten Sie Ihn
Und Neiget Das Haupt Und Verschied
Victimae Paschial Laudes
Ad Te Clamamus
Darnach Bat Pilatum Joseph von Arimathia
Und Siehe Da, Der Vorhang Im Tempel Zerriss
Three Antiphons
Liber Scriptus
De Lamentatione Ieremiae Prophatae
Lift Up Your Heads
Infammatus Et Accensus
Kyrie
Confutatis
He Trusted In God
Quando Corpus Morietur
He Shall Feed His Flock
In Paradisum
Quatre Petites Prières De St. François D'Assise: Salut, Dame Sainte
Erwäge, Wie Sein Blutgefärbter Rücken
And He shall purify
Maurice Drufle: Pie Jesu
Thou Shalt Break Them
Requiem
Introitus: Requiem Aeternam
Libera me
Victimae paschali laudes, sequence in mode 1 for Easter (1. T/GR 198, Liber Usualis No. 780)01:34
Requiem Aeternam
Vexilla Geris Prodeunt
Recordare
Simon Petrus Aber Folgete Jesu Nach
Tibi Domine derelictus est pauper05:13
Let All The Angels
Thou Art Gone Up On High
Die Jüden Aber Schrieen Und Sprachen
Surely, He Hath Borne
Dein Will Gescheh, Herr Gott, Zugleich
O Gladsome Radiance
Litany Of Fervent Supplication
Glacolitic Mass
Chants
Cujus Animam Gementem
Christus factus est, gradual in mode 5 (Liber Usualis, No 655)03:30
Et Jesum
Ach, Herr, Lass Dein' Lieb' Engelein
Tenebrae Factae Sunt
Behold, A Virgin
O Quam Tristis Et Afflicta
Da sprach Pilatus zu ihm
And The Glory Of The Lord
All They That See Him
Christe, du Lamm Gottes
Thus Saith The Lord
And The Angel Said Unto Them
De Lamentatione Ieremiae Prophetae03:11
God With Us
Eja Ergo, Advocata Nostra
Ingemisco
Es Ist Vollbracht
O Clemens, O Pia
Introitus et Kyrie
Tenebrae factea sunt, responsory03:27
Quatre Petites Prières De St. François D'Assise: Seigneur, Je Vous En Prie
And Suddenly
And With His Stripes
Why Do The Nations
Ubi caritas et amor [Ubi caritas est vera], antiphon in mode 6 (Liber Usualis No. 675; GR 207)02:42
All We Like Sheep
Sanctus
Since By Man Came Death
Eja Mater Fons Amoris
Da Führeten Sie Jesum
Then Shall The Eyes
Zerfließe, Meine Herze, In Fluten Der Zähren
The Lord Gave The Word
O Death, Where Is Thy Sting?
Quac Moerebat Et Dolebat
Offertorium
But Thou Didst Not Leave
Lacrimosa
Behold, I Tell You A Mystery
Chichester Psalms: Psalm 131; Psalm 133, V. 1 (Prelude - Peacefully Flowing)
Kyrie Eleison
Tibi Domine Derelictus Est Pauper
Exsultate, Jubilate In F Major K165
Jesus Ging Mit Seinen Jüngern
Eilt, Ihr Angefochtnen Seelen
Die Kriegsknechte Aber
Vexilla regis prodeunt, hymn in mode 1 (Liber Usualis No. 575)04:04
Hostias
Let Us Break Their Bonds
He Was Cut Off Out
Confutatis Maledictis
Himmel Reisse, Welt Erbebe
Sinfony
If God Be For Us
Salve Regina In C Minor
Durch Dein Gefängnis, Gottes Sohn
Salve Regina
Svet
Recordare Jesu Pie
Zerschmettert Mich
Rex Tremendae
Quis Est Homo, Qui Non Fleret
Slava
Von Den Stricken Meiner Sünden
Ach, Großer König, Groß Zu Allen Zeiten
Thy Rebuke Hath Broken His Heart
But Who May Abide?
Libera Me
Derselbige Jünger War Dem Hohenpriester Bekannt
Pie Jesu
Ubi Caritas
Mein Herz! Ind Em Die Ganze Welt
Anton Bruckner: Motet Locus Iste
We Hymn Thee, We Bless Thee
Audi, Benigne Conditor
The Mystical Sacrifice
Our Father
He Was Despised
Stabat mater, for soprano, alto, strings
Ev'ry Valley Shall Be Exalted
Song Of The Cherubim
Auf Dass Das Wort Erfullet Wurde
Then Shall Be Brought To Pass
Fac Ut Portem Christi Mortem
Hallelujah
Great Doxology
For unto us a Child is born
Iesu, Quadragenarie Dicator Abstinentiac
Agnee Bozij
Antonio Lotti: Crucifixus
Intrada
Domine Jesu
Introduction
Ruht Wohl, Ihr Heiligen Gebeine
He That Dwelleth In Heaven
Recordare, Jesu Pie
Ecce Lignum Crucis
God, Deliver The Devout
William Byrd: Ave Verum
For Behold, Darkness
Ich Folge Dir Gleichfallsmit Fruedigen Schritten
Tuba Mirum
Quatre Petites Prières De St. François D'Assise: O Mes Très Chers Frères
O hilf, Christe, Gottes Sohn
Chichester Psalms: Psalm 108, V. 2; Psalm 100 (Maestoso Ma Energico)
But Thanks To Be To God
The Trumpet Shall Sound
Credo
Cesar Franck: Panis Angelicus
Lux Aeterna
Quatre Petites Prières De St. François D'Assise: Tout Puissant, Très Saint
Three Antiphons for the Ceremony of the Washing of Feet03:31
I Know That My Redeemer Liveth

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Catalog Numbers

99234

Labels

Musica Di Angeli

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Formats

Box Set 14 × CD

Credits

RoleCredit
Alto VocalsJaroslava Horská (tracks: 7-1 to 7-14), 8-1 to 8-5, Michael Chance (tracks: 5-1 to 5-26, 6-1 to 6-18), Viktoria Stracenská (tracks: 13-1 to 13-8), Věra Soukupová (tracks: 9-1 to 9-7, 10-1 to 10-6)
Bass VocalsBas Ramselaar (tracks: 11-1 to 11-7), Emil Ponorski (tracks: 12-1 to 12-15), Hartmut Müller (tracks: 8-6, 8-7), Nikola Ghiuselev (tracks: 14-2, 14-8, 14-9, 14-11, 14-14, 14-15), Peter Mikuláš (tracks: 7-1 to 7-14, 8-1 to 8-5, 9-1 to 9-7, 10-1 to 10-6), Richard Novák (tracks: 13-1 to 13-8), Rodney McCann (tracks: 3-1 to 3-23, 4-1 to 4-30)
CelloJoanna Levine (tracks: 2-1 to 2-17)
ChoirBulgarian Mixed Choir (tracks: 14-1, 14-3 to 14-7, 14-12, 14-13), Corydon Singers (tracks: 15-7 to 15-13), Holland Boys Choir (tracks: 11-1 to 11-7), Sofia Madrigal Choir (tracks: 14-10), Slovak Philharmonic Choir (tracks: 7-1 to 7-14, 8-1 to 8-5, 9-1 to 9-7, 10-1 to 10-6, 13-1 to 13-8), Choir Of The Sofia Opera (tracks: 12-1 to 12-15), Sofia Orthodox Choir (tracks: 14-2, 14-8, 14-9, 14-11, 14-14, 14-15), The Choir Of St. John's College, Cambridge (tracks: 11-8 to 11-16), The Choir Of Clare College (tracks: 13-9, 13-10), The Choir Of Clare College (tracks: 14-1 to 15-6), King's College Choir, Cambridge (tracks: 5-1 to 5-26, 6-1 to 6-18)
Composed ByBenjamin Britten (tracks: 13-9, 13-10), Francis Poulenc (tracks: 15-7 to 15-13), John Rutter (tracks: 15-4 to 15-6), Leonard Bernstein (tracks: 14-1 to 15-4), Leoš Janáček (tracks: 13-1 to 13-8)
ConductorAnton Nanut (tracks: 8-1 to 8-5), Ivan Marinov (tracks: 12-1 to 12-15), James O'Donnell (tracks: 1-1 to 1-17), Ladislav Slovák (tracks: 13-1 to 13-8), Matthew Best (tracks: 15-7 to 15-13), Miroslav Popsavov (tracks: 14-2, 14-8, 14-9, 14-11, 14-14, 14-15), Pieter Jan Leusink (tracks: 11-1 to 11-7), Timothy Brown (tracks: 13-9, 13-10, 15-1 to 15-13), Timothy Dean (tracks: 3-1 to 3-23, 4-1 to 4-30), Vivian Klochkov (tracks: 14-1, 14-3 to 14-7, 14-12, 14-13), Zdeněk Košler (tracks: 7-1 to 7-14), Stoyan Kralev (tracks: 14-10)
Countertenor VocalsLawrence Zazzo (tracks: 2-1 to 2-17)
EnsemblePro Cantione Antiqua (tracks: 1-1 to 1-17), The Choir & Orchestra Of Pro Christe (tracks: 3-1 to 3-23, 4-1 to 4-30), The Wallace Collection (tracks: 15-1 to 15-13)
HarpRachel Masters (tracks: 15-1 to 15-13)
Mezzo-soprano VocalsAngelika Novak (tracks: 8-6, 8-7), Ivanka Ninova (tracks: 12-1 to 12-15), Linda Finnie (tracks: 3-1 to 3-23, 4-1 to 4-30)
OrchestraThe Brandenburg Consort (tracks: 5-1 to 5-26, 6-1 to 6-18), Camerata Academica Salzburg (tracks: 8-6, 8-7), Hungarian Chamber Orchestra (tracks: 11-1 to 11-7), Slovak Philharmonic Orchestra (tracks: 7-1 to 7-14, 8-1 to 8-5, 9-1 to 9-7, 10-1 to 10-6, 13-1 to 13-8), Orchestra Of The Sofia Opera (tracks: 12-1 to 12-15)
OrganTimothy Brown (tracks: 2-1 to 2-17)
Music DirectorTimothy Brown (tracks: 2-1 to 2-17)
Soprano VocalsAngharad Gruffydd-Jones (tracks: 2-1 to 2-17), Catherine Bott (tracks: 5-1 to 5-26, 6-1 to 6-18), Daniela Nedialkova (tracks: 12-1 to 12-15), Gabriele Fuchs (tracks: 8-6, 8-7), Helen Kucharek (tracks: 3-1 to 3-23, 4-1 to 4-30), Jennifer Smith (tracks: 3-1 to 3-23, 4-1 to 4-30), Magdaléna Hajóssyová (tracks: 7-1 to 7-14, 8-1 to 8-5, 9-1 to 9-7, 10-1 to 10-6, 13-1 to 13-8), Maja Roodveldt (tracks: 11-1 to 11-7)
Tenor VocalsFranz Sailer (tracks: 8-6, 8-7), Jozef Kundlák (tracks: 7-1 to 7-14), Jozef Kundlák (tracks: 9-1 to 9-7, 10-1 to 10-6), Neil Mackie (tracks: 3-1 to 3-23, 4-1 to 4-30), Paul Agnew (tracks: 5-1 to 5-26, 6-1 to 6-18), Peter Oswald (tracks: 8-1 to 8-5), Roumen Doikov (tracks: 12-1 to 12-15), Vilém Přibyl (tracks: 13-1 to 13-8)
ViolaPeter Whiskin (tracks: 2-1 to 2-17)
ViolinJoanna Parker (tracks: 2-1 to 2-17), Julia Bishop (tracks: 2-1 to 2-17)
VioloneMark Levy (tracks: 2-1 to 2-17)
VocalsStephen Richardson (tracks: 5-1 to 5-26, 6-1 to 6-18)
michaeljamesswan

Summary by Michael Swan

Credo 1000 Years Of Sacred Music is a must-have album for anyone who appreciates the beauty and power of sacred music. It is a testament to the enduring legacy of this art form and a celebration of the human spirit's capacity for transcendence.