Steve Lacy - The Straight Horn Of Steve Lacy

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Review by Kat Dawes

The Straight Horn of Steve Lacy is an album that showcases the incredible talent of the late jazz saxophonist Steve Lacy. Released in 1960, this album features Lacy's unique approach to playing the soprano saxophone, as well as his innovative compositions.

One of the standout tracks on the album is "The Crust". This piece begins with a haunting melody played by Lacy, before the rest of the band joins in with a driving rhythm. The interplay between Lacy and the other musicians is a highlight of the track, as they push and pull against each other to create a dynamic and engaging performance.

Another standout track is "Trickles". This slower, more contemplative piece showcases Lacy's ability to create beautiful, melodic lines on his instrument. The track builds to a crescendo before fading out, leaving the listener with a feeling of peaceful contemplation.

Table of Contents

Download

Filename: steve-lacy-the-straight-horn-of-steve-lacy.rar
  • MP3 size: 30 mb
  • FLAC size: 340.2 mb

Tracks

TrackDurationPreview
Louise5:27
Played Twice5:53
Criss Cross5:45
Introspection5:33
Air6:40
Donna Lee7:54

Images

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Catalog Numbers

  • 32JDC-105
  • CS 9007
  • BR-5013
  • CD 9007
  • SMJ-6174
  • CS 9007, CJS9007
  • CCD 79007
  • SMJ-7132
  • 9007
  • 8007
  • 9007, GJS 9007
  • SMJ-6174, CS 9007
  • MPL-129
  • TECW-20492
  • SOPC 57006, SOPC-57006

Labels

  • Candid
  • Barnaby Records, Candid
  • Candid, Pure Pleasure Records
  • Candid, Base Record
  • Zafiro

Listen online

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  • lytte på nettet
  • online luisteren
  • écouter en ligne
  • kuunnella verkossa
  • lyssna på nätet
  • escuchar en línea
  • online anhören

Formats

  • CD
  • Album
  • Reissue
  • Vinyl
  • LP
  • Promo
  • Limited Edition
  • Mono
  • Stereo
  • Remastered
  • Paper Sleeve
  • CDr

Companies

RoleCompany
Distributed ByTokuma Communications Co., Ltd.
Manufactured ByTokuma Japan Corporation
Recorded AtNola Recording Studios
Marketed ByBlack Lion Records
Phonographic Copyright (p)Phonoco
Copyright (c)Phonoco
Made ByP+O Pallas
Published ByJay Bee Music Corp.
Licensed FromGRT Corporation

Credits

RoleCredit
Baritone SaxophoneCharles Davis
BassJohn Ore
DrumsRoy Haynes
EngineerBob d'Orleans
Liner NotesMartin Williams , Nat Hentoff
Soprano SaxophoneSteve Lacy
Supervised ByNat Hentoff
ProducerNat Hentoff
DesignFrank Gauna
Photography ByFrank Gauna

Notes

  • Recorded at Nola Penthouse Sound Studios, New York on November 19, 1960.
  • Made in Japan
  • Recorded at Nola's Penthouse Studio, NYC.
  • Recorded on 19 November 1960 according to http://www.wnur.org/jazz/artists/lacy.steve/discog.html
  • Cover front reads "8007", Spine reads "9007", Cover back reads "9007", Labels read "CS 9007", Belly band reads "9007".
  • Re-issue of original US Candid release by Black Lion Records UK. Record jacket & liner notes are a straight copy of the original.
  • Label has (P) (C) Phonoco 1985 and comes with Black Lion release belly band.
  • Re-issue of original US Candid release.
  • Cover front reads "8007"
  • Spine reads "9007"
  • Cover back reads "9007"
  • Labels read "CS 9007"
  • Manufactured in West Germany.
  • Catalog# on the jacket is 9007 - the CS prefix is only shown on the labels.
  • Recorded at Nola's Penthouse Studio, NYC on November 19, 1960.
  • Cover front reads "9007"
  • Spine reads "CJS9007"
  • Labels read "CJS 9007"
  • On back cover:
  • Manufactured and distributed by www.purepleasurerecords.com
  • All tracks licensed from Candid Productions Limited.
  • Comes with Pure Pleasure catalog folder.
  • Manufactured by Victor Record Company LTD, Japan.
  • First Stereo pressing with deep grooved Candid label
  • Label states Stereo on left under Side A/B (see images)
  • Flat edge on vinyl
  • Textured cover, says Stereo at top left (see images)
  • The recording venue is shown on the release artwork as "Nola Penthouse Studios, New York"
  • Original US Candid release.
  • Recorded at Nola Penthouse Sound Studios, New York.
  • Originally released on Candid in 1961.
  • Catalog# on the jacket is 9007 - the GJS prefix is only shown on the labels.
  • Comes in mini LP replica with OBI & Japanese insert.
  • Master-rights owned by "Barnaby Records"
  • Release artwork gives the recording venue as "Nola Penthouse Studios, New York"

Barcodes

  • Matrix / Runout: 9007 / A et
  • Matrix / Runout: 9007 / B et
  • Matrix / Runout: CANDID9007-P+O-0270-04-87 04
  • Rights Society: M.C.P.S.
  • Rights Society: BMI ASCAP
  • Label Code: LC 2940
  • SPARS Code: ADD
  • Barcode: 8060119620458
  • Matrix / Runout (Runout Side A): CJS 9007-A -15378
  • Matrix / Runout (Runout Side B): CJS 9007-B -15378
  • Matrix / Runout: 844.298.079.007.0
  • Barcode: 0 31397 90072 7
  • Other: Deep groove
  • Matrix / Runout (Side A): N90Y 1550 1A [etched] D1 R R [stamped]
  • Matrix / Runout (Side B): N90Y 1551 1B [etched] A1 R R [stamped]
  • Matrix / Runout (Side A runout, hand-etched): F△ 26-7-85-P. GJS CS (striked) 9007-A
  • Matrix / Runout (Side B runout, hand-etched): F△ 26-7-85-P. GJS CS (striked) 9007-B
  • Rights Society (A1, B1 to B3): BMI
  • Rights Society (A2, A3): ASCAP
  • Rights Society: S.I.A.E.
  • Other: Supp. 52 Cod. 3
  • Barcode: 4 988004 067402
  • Rights Society: JASRAC
  • Matrix / Runout: CANDID9007-P+O-0270-04-87 06
  • Barcode (Left Side of Insert): 03139790072
  • Barcode (Right Side of Insert): 4002587115265
surfergrl

Summary by Kat Dawes

The Straight Horn of Steve Lacy is a must-listen for any fan of jazz music. Lacy's unique approach to playing the soprano saxophone and his innovative compositions make this album a true masterpiece of the genre.

Comments

panikolaos
This early date shows how masterful Lacy was even at the beginning. Throughout his career he took abstract pieces by people like Monk and Cecil Taylor and reformed them in his own way. His alterations keep the tunes unmistakably identifiable, yet transformed and "Lacy-fied." Often, when people play Monk tunes, what emerges is a much tamer and straightened version that only makes the original version's bent brilliance all the more apparent. Lacy bends them in his own superb way, highlighting what great compositions they are and also what a fine player he is. What a great jazz mind he has.